Welcome to the Thames Philharmonic blog, where members and the professional musicians we sing with share choral tips and experiences

February 27, 2018

 - So wrote composer Kevin Jones in his review of the Choir's last performance of Mozart's Requiem in May 2006. Thames Philharmonic Choir sang this "mellow and awe-inspiring work" with "musical precision, ease and relaxed commitment..." he continued.

"John Bate’s direction secured an exceptional transparency of sound and textural subtlety sustained throughout the entire performance; dramatic precision balanced by lyrical serenity." There was "a freshness and subtlety to...

February 23, 2018

Classical music critic, writer and presenter Tom Service wrote in an article about Mozart's Requiem in The Guardian in December 2011: "The real mystery of the piece isn't so much the story [of who composed which bits] but the music that Mozart did manage to write. The problem is that it's too easy to take the Requiem for granted and not hear what Mozart was actually doing in his composition."
Mozart's orchestration drew inspiration from earlier sources such as Handel a...

February 21, 2018

Wolfgang Amadeus Mozart died, aged 35, leaving his best-loved choral work - the Requiem - unfinished. He only completed the first movement Requiem aeternae,  drafted a few others, and died later in the day he of writing the first 8 bars of the aptly named Lacrimosa (weeping). His pupil Franz Süssmayr finished the composition and claimed that Agnus Dei and Sanctus were all his own work. There have been many other versions of the Requiem, but it is Sussmayr’s that Thames...

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